Straight answers.

It depends on scope — crew size, shoot days, how much post-production, and how many formats you need. A single interview and a multi-camera conference film can differ several times over. We do not publish figures because a number broad enough to cover both tells you nothing. The discovery call establishes scope, then you get a real figure.

We are registered in Abu Dhabi and work across all seven emirates, including Dubai, Sharjah and the northern emirates. UAE-wide production is a regular part of our work, with travel requirements factored into each project where applicable. Work outside the UAE is arranged case by case — we have produced across Europe and the wider Middle East.

Yes — a significant share of our work comes through agencies and consultancies. We act as the production arm: you keep the client relationship and the strategy, we handle treatment through to delivery. We can work white-label or be credited, whichever suits the arrangement.

Timelines depend on the scope, but most projects move through planning, production, post-production and revisions in a structured process. Event content can often be turned around more quickly, including same-day social edits where needed, while larger multi-format productions naturally require more time for coordination and delivery.

The earlier the better, especially for projects involving multiple locations, talent or large events. We can accommodate shorter lead times when availability allows, but giving the project enough room for planning usually leads to a smoother production and a stronger final result.

Yes, and it is treated as its own discipline rather than an add-on. We shoot corporate portraiture, events, hospitality, property, product and fashion. Where photography runs alongside a film on the same day, both are planned together from the start — which is materially cheaper than commissioning two suppliers.

Yes. We shoot vertical short-form for Reels, TikTok and Shorts, UGC-style content that reads native rather than advertised, and directed influencer sessions. Short-form is shot vertically and framed for the format — a landscape film cropped to 9:16 looks exactly like a landscape film that has been cropped.

Yes, as a capability within a wider production rather than a standalone service. Aerial coverage is included where it genuinely serves the film — establishing a venue, a development or a location. It is not something we upsell onto projects that do not need it.

It is how we map a content journey: Frame the business objective, Ignite through production, Rollout across the right platforms, and Elevate by scaling what works. Not every project needs all four stages. Some need one. The point is to establish which before anything is shot.

Thirty minutes, by video. We ask what the content needs to achieve, who it is for, and what has already been decided. You will get an honest view of what the work involves — including if the answer is smaller than you expected, or if we are not the right people for it. No scope or quote is produced on the call itself.

Yes. We regularly cover conferences, summits, exhibitions and awards ceremonies running across several days, with multi-camera coverage for stage and panel sessions. Coverage is planned around what you will need afterwards, not only the recap — so one event produces a hero film, cutdowns, speaker content and a photography library.

Usually yes, on request and agreed at the outset. Raw footage is large, unusable without grading, and rarely what clients actually want — most who ask really want more edits or different formats. If genuine archive access matters to you, say so at discovery and we will build delivery around it.